Already in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary establishment. The bourgeois fashion for new visual media - from prints and illustrated books to theatrical spectacles and panoramas - rejected high. Romantic concepts of original genius and the sublime in favor of mass-produced images and the thrill of realistic effects. In response, the literary elite declared the new visual media an offense to Romantic idealism. 'Simulations of nature, ' Coleridge declared, are 'loathsome' and 'disgusting.'...
Already in the century before photography's emergence as a mass medium, a diverse popular visual culture had risen to challenge the British literary e...
