William Matthews Sebastian Matthews Stanley Plumly
In the Poetry Blues, the late William Matthews holds forth on a medley of topics ranging from jazz to nude photography, Byron to Elizabeth Bishop, opera to Emerson. Throughout, Matthews writes about his love of music, language, poetry, and art while illuminating the subtle and important ways in which the things about which he feels passionately help to define and shape him. The book begins with a candid autobiographical essay, followed by an interview on the influence of jazz music on the poet's early work. Further into the collection, Matthews delves into the nature of the epigram...
In the Poetry Blues, the late William Matthews holds forth on a medley of topics ranging from jazz to nude photography, Byron to Elizabeth Bis...
William Matthews Sebastian Matthews Stanley Plumly
When William Matthews died, the day after his fifty-fifth birthday, America lost one of its most important poets, one whose humor and wit were balanced by deep emotion, whose off-the-cuff inventiveness belied the acuity of his verse. Drawing from his eleven collections and including twenty-three previously unpublished poems, Search Party is the essential compilation of this beloved poet's work. Edited by his son, Sebastian Matthews, and William Matthews's friend and fellow poet Stanley Plumly (who also introduces the book), Search Party is an excellent introduction to the poet and his...
When William Matthews died, the day after his fifty-fifth birthday, America lost one of its most important poets, one whose humor and wit were balance...
In this collection, Stanley Plumly confronts and celebrates mortality--in the detailed natural world, in the immediacy of the loss of friends, and in personal encounters. Archetypal, sometimes even allegorical, the poems in Old Heart amount to a sustained meditation. The American Academy of Arts and Letters declared of Plumly that "he has in the last thirty years quietly, steadily, expanded the range of lyric poetry in English... and] reinvigorated our poetry." His ethical rigor and literary modesty combine in Old Heart--his finest book of poetry.
In this collection, Stanley Plumly confronts and celebrates mortality--in the detailed natural world, in the immediacy of the loss of friends, and ...
This is the result of 20 years of reflection on the part of the author on the enduring afterlife of one of England's greatest Romantic poets. Keats, who died of tuberculosis at the age of 25, saw his mortality as fatal to his poetry and therein, Plumly argues, lies his tragedy.
This is the result of 20 years of reflection on the part of the author on the enduring afterlife of one of England's greatest Romantic poets. Keats, w...
Orphan Hours is a book of reconciliation, of coming to terms with time in its most personal and memorable manifestations, and of learning the wisdom of what cannot be changed. The urgency of the elegy has been absorbed by an acceptance of the detail, texture, and small moments that constitute and enrich mortality.
from "Lapsed Meadow"
I remember, in Ohio, fields of wastes of nature, lost pasture, fallow clearings, buckwhea and fireweed and broken sparrow nests especially in the summer, in the fading hilltop sun when you could lose yourself by simply lying...
Orphan Hours is a book of reconciliation, of coming to terms with time in its most personal and memorable manifestations, and of learning...
On December 28, 1817, the painter Benjamin Robert Haydon hosted what he referred to in his diaries and autobiography as the "immortal dinner." He wanted to introduce his young friend John Keats to the great William Wordsworth and to celebrate with his friends his most important historical painting thus far, "Christ's Entry into Jerusalem," in which Keats, Wordsworth, and Charles Lamb (also a guest at the party) appeared. After thoughtful and entertaining discussions of poetry and art and their relation to Enlightenment science, the party evolved into a lively, raucous evening. This...
On December 28, 1817, the painter Benjamin Robert Haydon hosted what he referred to in his diaries and autobiography as the "immortal dinner." He w...
On December 28, 1817, the painter Benjamin Robert Haydon hosted what he referred to in his diaries and autobiography as the "immortal dinner." He wanted to introduce his young friend John Keats to the great William Wordsworth and to celebrate with his friends his most important historical painting thus far, "Christ's Entry into Jerusalem," in which Keats, Wordsworth, and Charles Lamb (also a guest at the party) appeared. After thoughtful and entertaining discussions of poetry and art and their relation to Enlightenment science, the party evolved into a lively, raucous evening. This...
On December 28, 1817, the painter Benjamin Robert Haydon hosted what he referred to in his diaries and autobiography as the "immortal dinner." He w...
