In a funny, angry, hyper-articulate monologue, an art vandal makes a passionate plea to a judge: you, the reader. The vandal has been charged with defacing a masterpiece of modern art, and asks you to consider the following argument: Maybe the way we turn out is less the fault of our parents and more the effect of larger cultural and historical influences - maybe history is the real culprit. Rich with references to the high art, mass culture, political ideologies, and military maneuvers of the post-war era, from the Cold War to the introduction of television, Brief chronicles the formation of...
In a funny, angry, hyper-articulate monologue, an art vandal makes a passionate plea to a judge: you, the reader. The vandal has been charged with def...
Commissioner of the Federal Bureau of Narcotics from its establishment in 1930 until his retirement in 1962, Harry J. Anslinger is the United States' little known first drug czar. Anslinger was a profligate propagandist with a flair for demonizing racial and immigrant groups and perhaps best known for his zealous pursuit of harsh drug penalties and his particular animus for marijuana users. But what made Anslinger who he was, and what cultural trends did he amplify and institutionalize? Having just passed the hundredth anniversary of the Harrison Act--which consolidated prohibitionist drug...
Commissioner of the Federal Bureau of Narcotics from its establishment in 1930 until his retirement in 1962, Harry J. Anslinger is the United States' ...
