The image of the puritan as a dour and repressive character has been central to ways of reading sixteenth- and seventeenth-century history and literature. Kristen Poole's original study challenges this perception arguing that radical reformers were most often portrayed in literature of the period as deviant, licentious and transgressive. Through extensive analysis of early modern pamphlets, sermons, poetry and plays, the fictional puritan emerges as a grotesque and carnivalesque figure. By recovering this lost satirical image, Poole sheds new light on the social role played by anti-puritan...
The image of the puritan as a dour and repressive character has been central to ways of reading sixteenth- and seventeenth-century history and literat...
The image of the puritan as a dour and repressive character has been central to ways of reading sixteenth- and seventeenth-century history and literature. Kristen Poole's original study challenges this perception arguing that radical reformers were most often portrayed in literature of the period as deviant, licentious and transgressive. Through extensive analysis of early modern pamphlets, sermons, poetry and plays, the fictional puritan emerges as a grotesque and carnivalesque figure. By recovering this lost satirical image, Poole sheds new light on the social role played by anti-puritan...
The image of the puritan as a dour and repressive character has been central to ways of reading sixteenth- and seventeenth-century history and literat...
Bringing together recent scholarship on religion and the spatial imagination, Kristen Poole examines how changing religious beliefs and transforming conceptions of space were mutually informative in the decades around 1600. Supernatural Environments in Shakespeare's England explores a series of cultural spaces that focused attention on interactions between the human and the demonic or divine: the deathbed, purgatory, demonic contracts and their spatial surround, Reformation cosmologies and a landscape newly subject to cartographic surveying. It examines the seemingly incongruous coexistence...
Bringing together recent scholarship on religion and the spatial imagination, Kristen Poole examines how changing religious beliefs and transforming c...
The Bible was everywhere in Shakespeare's England. Through sermons, catechisms, treatises, artwork, literature and, of course, biblical reading itself, the stories and language of the Bible pervaded popular and elite culture. In recent years, scholars have demonstrated how thoroughly biblical allusions saturate Shakespearean plays. But Shakespeare's audiences were not simply well versed in the Bible's content - they were also steeped in the practices and methods of biblical interpretation. Reformation and counter-reformation debate focused not just on the biblical text, but - crucially - on...
The Bible was everywhere in Shakespeare's England. Through sermons, catechisms, treatises, artwork, literature and, of course, biblical reading itself...
