"Robert Louis Stevenson: Writer of Boundaries" reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his writings and the present relevance of his kaleidoscopic achievements. While most young readers know Robert Louis Stevenson (1850 1894) as the author of "Treasure Island," few people outside of academia are aware of the breadth of his literary output. The contributors to" Robert Louis Stevenson: Writer of Boundaries" look, with varied critical approaches, at the whole range of his literary production and unite to confer scholarly legitimacy on this...
"Robert Louis Stevenson: Writer of Boundaries" reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his wri...
"Robert Louis Stevenson: Writer of Boundaries" reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his writings and the present relevance of his kaleidoscopic achievements. While most young readers know Robert Louis Stevenson (1850-1894) as the author of "Treasure Island," few people outside of academia are aware of the breadth of his literary output. The contributors to" Robert Louis Stevenson: Writer of Boundaries" look, with varied critical approaches, at the whole range of his literary production and unite to confer scholarly legitimacy on this...
"Robert Louis Stevenson: Writer of Boundaries" reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his writin...
Joseph Conrad's comments about the interpretation of his works have until now been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf, and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's fiction as critical discourse makes an original claim for the importance of his theoretical ideas as they are formed and tested in the novels themselves. Setting Conrad's comments in this context of transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his...
Joseph Conrad's comments about the interpretation of his works have until now been dismissed as theoretically unsophisticated, while the critical noti...
Joseph Conrad's comments about the interpretation of his works have until now been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf, and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's fiction as critical discourse makes an original claim for the importance of his theoretical ideas as they are formed and tested in the novels themselves. Setting Conrad's comments in this context of transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his...
Joseph Conrad's comments about the interpretation of his works have until now been dismissed as theoretically unsophisticated, while the critical noti...