This is the first study to examine in detail the role and character of Homer's people (Greek laoi) in Homeric storytelling, arguing that Homeric poetry is crucially concerned with the people as a basis for communal life. Both the Iliad and the Odyssey are read as sustained meditations on the processes involved in protecting and destroying the people. The investigation draws on a wide range of approaches from formulaic analysis to the study of early performance contexts.
This is the first study to examine in detail the role and character of Homer's people (Greek laoi) in Homeric storytelling, arguing that Homeric poetr...
This book offers a new approach to the study of Homeric epic by combining ancient Greek perceptions of Homer with up-to-date scholarship on traditional poetry. Part I argues that, in the archaic period, the Greeks saw the lliad and Odyssey neither as literary works in the modern sense nor as the products of oral poetry. Instead, they regarded them as belonging to a much wider history of the divine cosmos, whose structures and themes are reflected in the resonant patterns of Homer's traditional language and narrative techniques. Part II illustrates this claim by looking at some central...
This book offers a new approach to the study of Homeric epic by combining ancient Greek perceptions of Homer with up-to-date scholarship on traditi...
This is the first study to examine in detail the role and character of Homer's people (Greek laoi) in Homeric storytelling, arguing that Homeric poetry is crucially concerned with the people as a basis for communal life. Both the Iliad and the Odyssey are read as sustained meditations on the processes involved in protecting and destroying the people. The investigation draws on a wide range of approaches from formulaic analysis to the study of early performance contexts.
This is the first study to examine in detail the role and character of Homer's people (Greek laoi) in Homeric storytelling, arguing that Homeric poetr...
