Josh Henneha has always been a traveler, drowning in dreams, burning with desires.
As a young boy growing up within the Muskogee Creek Nation in rural Oklahoma, Josh experiences a yearning for something he cannot tame. Quiet and skinny and shy, he feels out of place, at once inflamed and ashamed by his attraction to other boys. Driven by a need to understand himself and his history, Josh struggles to reconcile the conflicting voices he hearsfrom the messages of sin and scorn of the non-Indian Christian churches his parents attend in order to assimilate, to the powerful...
Josh Henneha has always been a traveler, drowning in dreams, burning with desires.
As a young boy growing up within the Muskogee Cree...
Josh Henneha has always been a traveler, drowning in dreams, burning with desires.
As a young boy growing up within the Muskogee Creek Nation in rural Oklahoma, Josh experiences a yearning for something he cannot tame. Quiet and skinny and shy, he feels out of place, at once inflamed and ashamed by his attraction to other boys. Driven by a need to understand himself and his history, Josh struggles to reconcile the conflicting voices he hears--from the messages of sin and scorn of the non-Indian Christian churches his parents attend in order to assimilate, to the powerful...
Josh Henneha has always been a traveler, drowning in dreams, burning with desires.
As a young boy growing up within the Muskogee Cre...
How can a square peg fit into a round hole? It can't. How can a door be unlocked with a pencil? It can't. How can Native literature be read applying conventional postmodern literary criticism? It can't.
That is Craig Womack's argument in Red on Red. Indian communities have their own intellectual and cultural traditions that are well equipped to analyze Native literary production. These traditions should be the eyes through which the texts are viewed. To analyze a Native text with the methods currently dominant in the academy, according to the author, is like studying the stars with a...
How can a square peg fit into a round hole? It can't. How can a door be unlocked with a pencil? It can't. How can Native literature be read applying c...
In a contentious field characterized by divergence of opinion, American Indian Literary Nationalism intervenes in recent controversial debates on the role of hybridity, suggesting common sense strategies rooted in the material realities of various communities. These essays deal with issues the authors have been wrestling with throughout their careers. Jace Weaver, Craig Womack, and Robert Warrior, assert being a "nationalist" is a legitimate perspective from which to approach Native American literature and criticism. They consider such a methodology not only defensible but also crucial to...
In a contentious field characterized by divergence of opinion, American Indian Literary Nationalism intervenes in recent controversial debates on the ...
Craig S. Womack Daniel Heath Justice Christopher Teuton
This collectively authored volume celebrates a group of Native critics performing community in a lively, rigorous, sometimes contentious dialogue that challenges the aesthetics of individual literary representation.
Janice Acoose infuses a Cree reading of Canadian Cree literature with a creative turn to Cree language; Lisa Brooks looks at eighteenth- and early-nineteenth-century Native writers and discovers little-known networks among them; Tol Foster argues for a regional approach to Native studies that can include unlikely subjects such as Will Rogers;...
This collectively authored volume celebrates a group of Native critics performing community in a lively, rigorous, sometimes contentious dialogue t...
Pick up a work of typical literary criticism and you know what to expect: prose that is dry, pedantic, well-meaning but tedious--slow-going and essentially humorless. But why should that be so? Why can't more literary criticism have a political edge and be engaging and fast-paced? Why can't it include drama, personal narrative, and even humor? Why can't criticism become an artistic performance, rather than just a discussion of art?
"Art as Performance, Story as Criticism" is Craig Womack's answer to these questions. Inventive and often outrageous, the book turns traditional literary...
Pick up a work of typical literary criticism and you know what to expect: prose that is dry, pedantic, well-meaning but tedious--slow-going and ess...
