A fierce critical intelligence animates every page of Queer Street. Its sentences are dizzying divagations. The postwar generation of queer New York has found a sophisticated bard singing 'the elders' history' (The New York Times). James McCourt's seminal Queer Street has proven unrivaled in its ability to capture the voices of a mad, bygone era. Beginning with the influx of liberated veterans into downtown New York and barreling through four decades of crisis and triumph up to the era of the floodtide of AIDS, McCourt positions his own exhilarating experience against the whirlwind history of...
A fierce critical intelligence animates every page of Queer Street. Its sentences are dizzying divagations. The postwar generation of queer New York h...
The late Severo Sarduy was one of the most outrageous and baroque of the Latin American Boom writers of the sixties and seventies, and here bound back to back are his two finest creations. Cobra (1972) recounts the tale of a transvestite named Cobra, star of the Lyrical Theater of the Dolls, whose obsession is to transform his/her body. She is assisted in her metamorphosis by the Madam and Pup, Cobra's dwarfish double. They too change shape, through the violent ceremonies of a motorcycle gang, into a sect of Tibetan lamas seeking to revive Tantric Buddhism. Maitreya (1978) continues the...
The late Severo Sarduy was one of the most outrageous and baroque of the Latin American Boom writers of the sixties and seventies, and here bound b...
The blood-red of Manhattan, the brilliant green of an Irish-American wake, the blue-rinsed divas of the opera and the bathhouse alike (Michael Gorra) are hypnotically rendered in this astoundingly smart book (John Waters). With some of the most lyrical cadences in recent literature, the legendary James McCourt animates twentieth-century New York through a kaleidoscope of sharp-edged, brilliantly colored memories (J. D. McClatchy) and with dynamic prose and high-brow erudition that has gone the way of the dodo (Publishers Weekly). Braiding a nostalgic portrait of the eternal city with a boy s...
The blood-red of Manhattan, the brilliant green of an Irish-American wake, the blue-rinsed divas of the opera and the bathhouse alike (Michael Gorra) ...