Antiquity and Its Interpreters examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural makers of early modern Italy. The case studies analyze specific texts, the archaeological projects that made "antiquity" available, the revival of art history and theory, and the appropriation of antiquities to serve social ideologies, among other topics.
Antiquity and Its Interpreters examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and c...
Antiquity and Its Interpreters examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and cultural makers of early modern Italy. The case studies analyze specific texts, the archaeological projects that made "antiquity" available, the revival of art history and theory, and the appropriation of antiquities to serve social ideologies, among other topics.
Antiquity and Its Interpreters examines how the physical and textual remains of the ancient Romans were viewed and received by writers, artists, and c...
Starting with Brunelleschi's invention of perspective and Galileo's invention of the telescope--two inaugural moments in the history of vision, from two apparently distinct provinces, art and science--this volume of essays by noted art, architecture, science, philosophy, and literary historians teases out the multiple strands of the discourse about sight in the early modern period. Looking at Leonardo and Gallaccini, at botanists, mathematicians, and artists from Dante to Durer to Shakespeare, and at photography and film as pointed modern commentaries on early modern seeing, Vision and...
Starting with Brunelleschi's invention of perspective and Galileo's invention of the telescope--two inaugural moments in the history of vision, fro...
Starting with Brunelleschi's invention of perspective and Galileo's invention of the telescope--two inaugural moments in the history of vision, from two apparently distinct provinces, art and science--this volume of essays by noted art, architecture, science, philosophy, and literary historians teases out the multiple strands of the discourse about sight in the early modern period. Looking at Leonardo and Gallaccini, at botanists, mathematicians, and artists from Dante to Durer to Shakespeare, and at photography and film as pointed modern commentaries on early modern seeing, Vision and...
Starting with Brunelleschi's invention of perspective and Galileo's invention of the telescope--two inaugural moments in the history of vision, fro...
