Most critics of aestheticism focus on the Yellow Book, the glossy Victorian journal with the shocking yellow cover that counted among its contributors Aubrey Beardsley and Max Beerbohm. But one of the best-known aesthetes, Oscar Wilde, launched his own magazine, the Woman's World. The audience for Wilde's magazine reveals another side of the aesthetic movement that has been largely forgotten.
Every now-canonical male aesthete once competed with what Talia Schaffer calls the female aesthetes, whose critical and popular success made them formidable contemporaries. Not only did these...
Most critics of aestheticism focus on the Yellow Book, the glossy Victorian journal with the shocking yellow cover that counted among its contribut...
This series covers texts of women writers whose work is being increasingly discussed in the study of the development of the 20th century and the Modernist movements of the 19th century, placing the works in their context.
This series covers texts of women writers whose work is being increasingly discussed in the study of the development of the 20th century and the Moder...
Novel Craft explores an intriguing and under-studied aspect of cultural life in Victorian England: domestic handicrafts, the decorative pursuit that predated the Arts and Crafts movement. Talia Schaffer argues that the handicraft movement served as a way to critique the modern mass-produced commodity and the rapidly emerging industrial capitalism of the nineteenth century. Her argument is illustrated with the four pivotal novels that form her study's core-Gaskell's Cranford, Yonge's The Daisy Chain, Dickens's Our Mutual Friend, and Oliphant's Phoebe...
Novel Craft explores an intriguing and under-studied aspect of cultural life in Victorian England: domestic handicrafts, the decorative pursu...
Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something quite different from what we thought. In Victorian novels, women may marry for erotic desire--but they might, instead, insist on "familiar marriage," marrying trustworthy companions who can offer them socially rich lives and futures of meaningful work. Romance's Rival shows how familiar marriage expresses ideas of female subjectivity dating back through the seventeenth century, while romantic marriage felt like a new, risky idea....
Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something ...
