Social Work: Voices from the Inside offers unique insight into social work from the perspectives of those on the inside, that is, service users, carers and practitioners.

Drawing on a narrative tradition, fifty-nine people from across the UK tell their stories about how and why social work came into their lives, and what happened next. Key topics are discussed, including:

children and family social work

criminal justice social work

mental health social work

residential child care

social work with disabled people

social work...

Social Work: Voices from the Inside offers unique insight into social work from the perspectives of those 'on the inside', that is, service users, carers and practitioners.

Drawing on a narrative tradition, fifty-nine people from across the UK tell their stories about how and why social work came into their lives, and what happened next. Key topics are discussed, including:

children and family social work

criminal justice social work

mental health social work

residential child care

social work with disabled people

social work...

During the first several months of U.S. participation in World War II, our East Coast was menaced by German's u-boats. The submarines were sinking an average of a ship-a-day and they had suffered no loses. But at midnight on April 13, 1942, the U.S.S. Roper discovered the U-85 recharging its batteries off the coast of North Carolina. The U-85 was the first U-boat sunk in American waters. The Roper would have been the most celebrated destroyer in the U.S. Navy had it not been for the captain's next order. In Time Will Tell, Ann Davis reveals the truth about the burial of twenty-nine German...

During the first several months of U.S. participation in World War II, our East Coast was menaced by German's u-boats. The submarines were sinking an average of a ship-a-day and they had suffered no loses. But at midnight on April 13, 1942, the U.S.S. Roper discovered the U-85 recharging its batteries off the coast of North Carolina. The U-85 was the first U-boat sunk in American waters. The Roper would have been the most celebrated destroyer in the U.S. Navy had it not been for the captain's next order. In Time Will Tell, Ann Davis reveals the truth about the burial of twenty-nine German...

When the shadow of the Back River Light fell on Sash Kane, the scion of a Pennsylvania family, newspapers up and down the East Coast reported all the details of Elizabeth City County's murder case of the century. The ""other woman,"" Kane's autobiographical sketch, and the Dreiser novel, banned in Boston, found in Kane's Roadster, was the stuff that sold papers. Had fiction mimicked life and, then, life mimicked fiction? Had this university professor held Jenny Kane's ""head beneath the waters of the Chesapeake Bay until she drowned,"" Down by the Back River Light?

Eric Cameron is a major contemporary Canadian artist. Born in 1935 in Leicester, England, he arrived in Canada in the 1970s and has taught at the University of Guelph, the Nova Scotia College of Art and Design, and at the University of Calgary. Over the years Cameron has also continued to work in his primary medium, painting, but moved from traditional figuration to a highly conceptual practice with both his process paintings and his -thick- paintings. He has also expanded into video and has written a great deal about his work. His inspired teaching and unusual art have been recognized with...

Marion Nicoll (1909-1985) is a widely acknowledged and important founder of Alberta art and certainly one of a dedicated few that brought abstraction into practice in the province. Her life and career is a story of determination, of dedication to her vision regardless of professional or personal challenges. Nicoll became the first woman instructor hired at the Provincial Institute of Art and Technology (now the Alberta College of Art and Design) - and although limited to teaching craft and design, she became a significant mentor for generations of artists. Contributions by Ann Davis,...

The study of the museum visitor has undergone a radical transformation. This collection brings together imaginative research that encourages new conclusions. Some questions involve the visitor's identity, what she brings to her museum experience. Can we gain entry into this experience? Does more technology really increase access to the objects themselves? Others probe the very nature of museum-going and exhibition making, demanding that we reexamine the traditional exhibition to reposition the visitor and her meaning-making at the center. Each author here has asked unfamiliar questions and...