The concept of generation is ubiquitous in common parlance and public discourse: it is used to explain family relationships, consumer preferences, political change, and much else besides. But how can generation be used by historians? Do generations 'really' exist, or are they constructed and manipulated by social and cultural elites?
The concept of generation is ubiquitous in common parlance and public discourse: it is used to explain family relationships, consumer preferences, pol...
Of all of Soviet cultural myths, none was more resilient than the belief that the USSR had the world's greatest readers. This book explains how the 'Russian reading myth' took hold in the 1920s and 1930s, how it was supported by a monopolistic and homogenizing system of book production and distribution, and how it was challenged in the post-Stalin era; first, by the latent expansion and differentiation of the reading public, and then, more dramatically, by the economic and cultural changes of the 1990s.
Of all of Soviet cultural myths, none was more resilient than the belief that the USSR had the world's greatest readers. This book explains how the 'R...
In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations among writers, artists, designers, and theater and film directors took place more intensively and productively than ever before or since. Yet this transcendence of the boundaries among art forms also gave rise to confrontation and creative tension. This collection of essays by leading British, American and Russian scholars draws on a rich variety of material to demonstrate the creative power and dynamism of Russian culture "on the boundaries."
In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations among...
The dacha is a sometimes beloved, sometimes scorned Russian dwelling. Alexander Pushkin summered in one; Joseph Stalin lived in one for the last twenty years of his life; and contemporary Russian families still escape the city to spend time in them. Stephen Lovell's generously illustrated book is the first social and cultural history of the dacha. Lovell traces the dwelling's origins as a villa for the court elite in the early eighteenth century through its nineteenth-century role as the emblem of a middle-class lifestyle, its place under communist rule, and its post-Soviet...
The dacha is a sometimes beloved, sometimes scorned Russian dwelling. Alexander Pushkin summered in one; Joseph Stalin lived in one for the last tw...
This book is a short history of Russia since the collapse of Communism in Eastern Europe. In a matter of months, Russia was apparently demoted from "evil empire" to despondent poor relation of the prosperous West. Yet the country also seemed extraordinarily -- and alarmingly -- open to all manner of political outcomes: from the return of Communism to the creation and consolidation of liberal democracy. Many of the scripts written for Russia in 1991 have had to be drastically revised in subsequent years. This book is a historian's attempt to stand back from the turbulent post-Soviet era and...
This book is a short history of Russia since the collapse of Communism in Eastern Europe. In a matter of months, Russia was apparently demoted from "e...
Of all of Soviet cultural myths, none was more resilient than the belief that the USSR had the world's greatest readers. This book explains how the 'Russian reading myth' took hold in the 1920s and 1930s, how it was supported by a monopolistic and homogenizing system of book production and distribution, and how it was challenged in the post-Stalin era; first, by the latent expansion and differentiation of the reading public, and then, more dramatically, by the economic and cultural changes of the 1990s.
Of all of Soviet cultural myths, none was more resilient than the belief that the USSR had the world's greatest readers. This book explains how the 'R...
In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations among writers, artists, designers, and theater and film directors took place more intensively and productively than ever before or since. Yet this transcendence of the boundaries among art forms also gave rise to confrontation and creative tension. This collection of essays by leading British, American and Russian scholars draws on a rich variety of material to demonstrate the creative power and dynamism of Russian culture "on the boundaries."
In the Russian modernist era, literature threw itself open to influences from other art forms, most particularly the visual arts. Collaborations among...
The story of radio begins alongside that of the Soviet state: Russia's first long-range transmission of the human voice occurred in 1919, during the civil war. Sound broadcasting was a medium of exceptional promise for this revolutionary regime. It could bring the Bolsheviks' message to the furthest corners of their enormous country. It had unprecedented impact: the voice of Moscow could now be wired into the very workplaces and living spaces of a population that was still only weakly literate. The liveness and immediacy of broadcasting also created vivid new ways of communicating...
The story of radio begins alongside that of the Soviet state: Russia's first long-range transmission of the human voice occurred in 1919, during the c...
The dacha is a sometimes beloved, sometimes scorned Russian dwelling. Alexander Pushkin summered in one; Joseph Stalin lived in one for the last twenty years of his life; and contemporary Russian families still escape the city to spend time in them. Stephen Lovell's generously illustrated book is the first social and cultural history of the dacha. Lovell traces the dwelling's origins as a villa for the court elite in the early eighteenth century through its nineteenth-century role as the emblem of a middle-class lifestyle, its place under communist rule, and its post-Soviet...
The dacha is a sometimes beloved, sometimes scorned Russian dwelling. Alexander Pushkin summered in one; Joseph Stalin lived in one for the last tw...
