Harrison Birtwistle (1934- ) is one of the most eminent and acclaimed of contemporary British composers. This is the first book to provide a comprehensive view of his large and varied output, containing descriptions of every published work, and also a number of withdrawn and unpublished pieces. The book is structured around a number of broad themes--theater, song, time and texture--themes of significance to Birtwistle, but also to much other music. This approach avoids in-depth technical analysis, and Dr. Adlington focuses instead on the music's wider cultural significance.

Harrison Birtwistle (1934- ) is one of the most eminent and acclaimed of contemporary British composers. This is the first book to provide a comprehensive view of his large and varied output, containing descriptions of every published work, and also a number of withdrawn and unpublished pieces. The book is structured around a number of broad themes--theater, song, time and texture--themes of significance to Birtwistle, but also to much other music. This approach avoids in-depth technical analysis, and Dr. Adlington focuses instead on the music's wider cultural significance.

The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how...

With the establishment of the People's Republic of China in 1949, a third of the world's population came to live under communist regimes. Over the next forty years, the lives of most people in the non-communist world were also shaped in some way by communism and the Cold War waged against it. In the cases of many artists, intellectuals and workers, this involvement was wished and active. Yet, while the left-leaning tendencies of western artists have long been recognised, the extent and depth of musicians' involvement in communism specifically has been largely ignored, suppressed, or dismissed...

The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including...