"Look: with all my fear I'm here with you, trying what it means, to stand fast; what it means to move." In these astonishing new poems, Adrienne Rich dares to look and to extend her poetic language as witness to the treasures the midnight salvage we rescue from fear and fragmentation. Rich's work has long challenged social plausibilities built on violence and demoralizing power. In Midnight Salvage, she continues her explorations at the end of the century, trying, as she has said, "to face the terrible with hope, in language as complex as necessary, as communicative as possible a poetics...

These essays trace a distinguished writer's engagement with her time, her arguments with herself and others. "I am a poet who knows the social power of poetry, a United States citizen who knows herself irrevocably tangled in her society's hopes, arrogance, and despair," Adrienne Rich writes. The essays in Arts of the Possible search for possibilities beyond a compromised, degraded system, seeking to imagine something else. They call on the fluidity of the imagination, from poetic vision to social justice, from the badlands of political demoralization to an art that might wound, that may open...

In this volume, Adrienne Rich pursues her signature themes and takes them further: the discourse between poetry and history, interlocutions within and across gender, dialogues between poets and visual artists, human damages and dignity, and the persistence of utopian visions. Here Rich continues taking the temperature of mind and body in her time in an intimate and yet commanding voice that resonates long after an initial reading. Fox is formidable and moving, fierce and passionate, and one of Rich's most powerful works to date. "Justly celebrated....Rich has long wanted to set her readers'...

The Fact of a Doorframe is the ideal introduction to Rich's opus, from her formative lyricism in A Change of Word (1951), to the groundbreaking poems of Diving into the Wreck (1973), to the searching voice of Fox (2001).

Now in its ninth year, The Best American Poetry is universally acclaimed as the best anthology in the field. The compilation includes a diverse abundance of poems published in 1995 in more than 40 publications ranging from The New Yorker to The Paris Review to Bamboo Ridge.

A penetrating exploration of poetic life by a veteran poet, translator, and editor. Companion Spider is the accumulated work of a poet and translator who goes more deeply into the art and its process and demands than anyone since Robert Duncan. Clayton Eshleman is one of our most admired and controversial poets, the translator of such great international poets as Cesar Vallejo, Aime Cesaire and Antonin Artaud, and founder and editor of two important literary magazines, Sulfur and Caterpillar. As such, Eshleman writes about the vocation of poet and of the poet as translator as no one else in...

Leaflets is Adrienne Rich's fifth book of poems. It contains twenty-eight new poems, five adaptations of Dutch, Yiddish, and Russian poets, and a sequence of seventeen poems loosely based on the ghazal, a common form in Middle Eastern poetic tradition; these ghazals comprise a kind of notebook of a month in the summer of 1968.

First published in 1963, this book is now restored to print in a new edition containing some revisions and one hitherto unpublished poem.

"The Will to Change must be read whole: for its tough distrust of completion and for its cool declaratives which fix us with a stare more unsettling than the most hysterical questions...It includes moments when poverty and heroism explode grammer with their own dignified unsyntactical demands...The poems are about departures, about the pain of breaking away from lovers and from an old sense of self. They discover the point where loneliness and politics touch, where the exercise of the radical courage takes its inevitable toll." David Kalstone in The New York Times Book Review"