The direct action social protest movement of the 1950s and 1960s resulted in sit-ins, marches, and other showdowns with armed police officers and National Guardsmen. Trained in Dr. Martin Luther King Jr.'s methods of nonviolence, young black men and women took to the streets to fight for their civil rights and sparked a social revolution. Thousands of acts of courage were undertaken in the pursuit of freedom?acts that were often photographed, leaving behind a disquieting visual record of this violent and tumultuous period in American history.
Road to Freedom: Photographs of the...
The direct action social protest movement of the 1950s and 1960s resulted in sit-ins, marches, and other showdowns with armed police officers and N...
For more than fifteen years, Jerry Siegel has been photographing southern artists. Following in the footsteps of his namesake uncle, Jerry Siegel--who was one of the earliest collectors and promoters of southern artists--the younger Siegel continually traces regional southern artistic talent back to its creators, whom he captures in portraits as emotionally affecting as they are visually striking. Facing South: Portraits of Southern Artists reproduces, in both black-and-white and color, one hundred of these portraits of the artists that Siegel has worked with--potters, sculptures,...
For more than fifteen years, Jerry Siegel has been photographing southern artists. Following in the footsteps of his namesake uncle, Jerry Siegel--who...
Controversy and Hope commemorates the civil rights legacy of James Karales (1930-2002), a professional photojournalist who documented the 1965 Selma to Montgomery March for Voting Rights with a dedication and vision that led the New York Times to deem his work "a pictorial anthem of the civil rights movement." Equipped with ambition and a B.F.A. in photography from Ohio University in 1955, Karales headed to New York and found work as a darkroom assistant to master photographer W. Eugene Smith. Karales's earliest photo-essays had already come to the attention of Edward Steichen, curator of...
Controversy and Hope commemorates the civil rights legacy of James Karales (1930-2002), a professional photojournalist who documented the 1965 Selma t...
Controversy and Hope commemorates the civil rights legacy of James Karales (1930-2002), a professional photojournalist who documented the 1965 Selma to Montgomery March for Voting Rights with a dedication and vision that led the New York Times to deem his work "a pictorial anthem of the civil rights movement." Equipped with ambition and a B.F.A. in photography from Ohio University in 1955, Karales headed to New York and found work as a darkroom assistant to master photographer W. Eugene Smith. Karales's earliest photo-essays had already come to the attention of Edward Steichen, curator of...
Controversy and Hope commemorates the civil rights legacy of James Karales (1930-2002), a professional photojournalist who documented the 1965 Selma t...
For over four decades, Richard Buswell has trained his camera on the landscape of Montana, with its abandoned and overgrown homesteads and majestic, never-ending skies. In the recent work assembled in this volume, Buswell's fourth book, his subjects are much more than scattered remains. His black-and-white photographs frame cast-off, common things to reveal abstract patterns in the tradition of twentieth-century modernist photography. As Buswell puts it, his work is "more interpretive and abstract than it is documentary. The images explore the junction where decaying artifacts become...
For over four decades, Richard Buswell has trained his camera on the landscape of Montana, with its abandoned and overgrown homesteads and majestic...
