Death and Life in Colonial Nahua Mexico presents seven dramas from the first truly American theater. Composed in Nahuatl during the sixteenth and seventeenth centuries, most of these plays survive only in later copies. Five are morality plays. Presenting Christian views of moral reform, death, judgment, and punishment for sin, they reveal how these themes were adapted into Nahua culture. The other two plays dramatize biblical narratives: the stories of Abraham and Isaac and of the three wise men.

In this volume, Barry D. Sell and Louise M. Burkhart offer faithful...

The foundation legend of the Mexican devotion to Our Lady of Guadalupe is one of the most appealing and beloved of all religious stories. In this volume, editors Barry D. Sell, Louise M. Burkhart, and Stafford Poole present the only known colonial Nahuatl-language dramas based on the Virgin of Guadalupe story: the "Dialogue of the Apparition of the Virgin Saint Mary of Guadalupe," an anonymous work from the late seventeenth or early eighteenth century, and "The Mexican Portent," authored by creole priest Joseph Perez de la Fuente in the early eighteenth century. The plays, never before...

Don Bartolome de Alva was a mestizo who rose within New Spain s ecclesiastical hierarchy when people of indigenous heritage were routinely excluded from the priesthood. In 1640 and 1641 he translated several theatrical pieces from Spanish into Nahuatl, yet this prodigious accomplishment remained virtually unknown for centuries.

"Nahuatl Theater, Volume 3" presents for the first time in English the complete dramatic works of Alva, the only known plays from Spain s Golden Age adapted into the lively world of Nahuatl-language theater. Alva s translations The Great Theater of the World, The...

Nahuatl drama, one of the most surprising results of the Catholic presence in colonial Mexico, merges medieval European religious theater with the language and performance traditions of the Aztec (Nahua) people of central Mexico. Franciscan missionaries, seeking effective tools for evangelization, fostered this new form of theater after observing the Nahuas enthusiasm for elaborate performances. The plays became a controversial component of native Christianity, allowing Nahua performers to present Christian discourse in ways that sometimes effected subtle changes in meaning. The Indians...