"Absoliutno blagopoluchnoe ozero Baikal " the Russian scientist looking out over the great lake says. "Lake Baikal is Perfect " And humans can never harm it. For a man cut loose from his life in the U.S., Lake Baikal-Siberia's sacred inland sea-becomes a place of pilgrimage, the focal point of a 25,000-mile journey by land and sea in search of connection, permanence, restoration and hope. Following a difficult divorce, veteran environmental journalist Peter Thomson sets off from Boston with his younger brother for one of nature's most remarkable creations, in one of the farthest...
"Absoliutno blagopoluchnoe ozero Baikal " the Russian scientist looking out over the great lake says. "Lake Baikal is Perfect " And humans can never h...
This 2006 introduction aims to share with readers the author's enjoyment of the turbulent 240-year history of a theatre that tried, often against the odds, to be 'modern'. In each of its five parts, it deals successively with history and cultural context, with the plays and the actors who caught the imagination of their era. Peter Thomson's text, always approachable, is enriched by quotations and carefully selected illustrations that capture 'the spirit of the age' under consideration. Beginning with the reopening of the playhouses under licence from Charles II, Thomson introduces the modern...
This 2006 introduction aims to share with readers the author's enjoyment of the turbulent 240-year history of a theatre that tried, often against the ...
Volume One of The Cambridge History of British Theatre begins in Roman Britain and ends with Charles II's restoration to the throne imminent. The four essays in Part One treat pre-Elizabethan theatre, the eight in Part Two focus on the riches of the Elizabethan era, and the seven in Part Three on theatrical developments during and after the reigns of James I and Charles I. The essays are written for the general reader by leading British and American scholars, who combine an interest in the written drama with an understanding of the material conditions of the evolving professional theatre...
Volume One of The Cambridge History of British Theatre begins in Roman Britain and ends with Charles II's restoration to the throne imminent. The four...
Volume Two of The Cambridge History of British Theatre begins in 1660 with the restoration of King Charles II to the throne and the reestablishment of the professional theatre, interdicted since 1642, and follows the far-reaching development of the form over two centuries and more to 1895. Descriptions of the theatres, actors and actresses, acting companies, dramatists and dramatic genres over the period are augmented by accounts of the audiences, politics and morality, scenography, provincial theatre, theatrical legislation, the long-drawn-out competition of major and minor theatres, and the...
Volume Two of The Cambridge History of British Theatre begins in 1660 with the restoration of King Charles II to the throne and the reestablishment of...
This volume explores the rich and complex histories of English, Scottish and Welsh theatres in the "long" twentieth century since 1895. Twenty-three original essays by leading historians and critics investigate the major aspects of theatrical performance, ranging from the great actor-managers to humble seaside entertainers, from between-wars West End women playwrights to the roots of professional theatre in Wales and Scotland, and from the challenges of alternative theatres to the economics of theatre under Thatcher. Detailed surveys of key theatre practices and traditions across this whole...
This volume explores the rich and complex histories of English, Scottish and Welsh theatres in the "long" twentieth century since 1895. Twenty-three o...
This updated Companion offers students crucial guidance on virtually every aspect of the work of this complex and controversial writer. It brings together the contrasting views of major critics and active practitioners, and this edition introduces more voices and themes. The opening essays place Brecht's creative work in its historical and biographical context and are followed by chapters on single texts, from The Threepenny Opera to The Caucasian Chalk Circle, on some early plays and on the Lehrstucke. Other essays analyse Brecht's directing, his poetry, his interest in music and his work...
This updated Companion offers students crucial guidance on virtually every aspect of the work of this complex and controversial writer. It brings toge...
This is a book for theatre-lovers, written for anyone who shares the author's curiosity about the art of acting and about theatre past and present. The first section centres on Elizabethan theatre practice, the second highlights themes, episodes and contemporary taste in the eighteenth and nineteenth centuries in England, and the third focuses on twentieth-century performances of Shakespeare at Stratford in the 1970s and in the New Globe as the new century begins. The extensive cast of actors discussed includes Richard Tarlton, Will Kemp, David Garrick, Samuel Foote, Richard and Mary Ann...
This is a book for theatre-lovers, written for anyone who shares the author's curiosity about the art of acting and about theatre past and present. Th...
Siberia's Lake Baikal is one of nature's most magnificent creations, the largest and deepest body of fresh water in the world. And yet it is nearly unknown outside of Russia. In Sacred Sea--the first major journalistic examination of Baikal in English--veteran environmental writer Peter Thomson and his younger brother undertake a kind of pilgrimage, journeying 25,000 miles by land and sea to reach this extraordinary lake. At Baikal they find a place of sublime beauty, deep history, and immense natural power. But they also find ominous signs that this perfect eco-system--containing...
Siberia's Lake Baikal is one of nature's most magnificent creations, the largest and deepest body of fresh water in the world. And yet it is nearly un...
As playwrights David Garrick and George Colman the Elder showed themselves to be practical men of the theatre, providing excellent acting parts and well-constructed scenes capable of provoking laughter in any age. At one time they were rival managers of the two main London theatres, Drury Lane and Covent Garden, but their friendship was greater than their rivalry and survived until Garrick's death. This volume includes five plays: three short farces by Garrick, a full-length play by Colman and the famous collaborative work The Clandestine Marriage. The playwrights' abilities complemented each...
As playwrights David Garrick and George Colman the Elder showed themselves to be practical men of the theatre, providing excellent acting parts and we...