Toni Morrison and the Queer Pleasure of Ghosts radically intervenes in one of the most established and sacred topics in Toni Morrison scholarship, love. Moving beyond Morrison's representation of ghosts as the forgotten or occluded past, Juda Bennett uncovers how Morrison imagines the spectral sphere as always already queer, a provocation and challenge to heteronormativity--with the ghost appearing as an active participant in disruptions of compulsory heterosexuality, as a figure embodying closet desires, or as a disembodied emanation that counterpoints homophobia. From The Bluest...