This volume contains indexes to a university library, a monastic library, two cathedral libraries, a diocesan library and three record offices. Outstanding among the manuscripts are two Wycliffite New Testaments and John Mirk's popular sermon collection 'The Festial'.

The Festial, most probably composed in the late 1380s by the Augustinian canon, John Mirk, of Lilleshall Abbey, Shropshire, was the most popular and influential collection of sermons in English in the late medieval and early Tudor period, surviving in many copies, and printed by Caxton and his successors. The collection was designed to be accessible and entertaining, as well as orthodox, to counter the success of Lollard preaching, and taught both the priests who used the sermons, as well as their audiences, the fundamentals of the Christian faith and doctrine, illustrated by many stories....

The Festial, most probably composed in the late 1380s by the Augustinian canon, John Mirk, of Lilleshall Abbey, Shropshire, was the most popular and influential collection of sermons in English in the late medieval and early Tudor period, surviving in many copies, and printed by Caxton and his successors. The collection was designed to be accessible and entertaining, as well as orthodox, to counter the success of Lollard preaching, and taught both the priests who used the sermons, as well as their audiences, the fundamentals of the Christian faith and doctrine, illustrated by many stories....

The history of the book is now recognized as a field of central importance for understanding the cultural changes that swept through Tudor England. This companion aims to provide a comprehensive guide to the issues relevant to the early printed book, covering the significant cultural, social and technological developments from 1476 (the introduction of printing to England) to 1558 (the death of Mary Tudor). Divided into thematic sections (the printed book trade; the book as artefact; patrons, purchasers and producers; and the cultural capital of print), it considers the social, historical,...

This collaborative collection considers the packaging, presentation and consumption of medieval manuscripts and early printed books in Europe 1350-1550. It showcases innovative research on the history of the book from a range of established and younger scholars from the US and Europe in the fields of English and French Studies, History, Music, and Art History. The collection falls naturally into three sections: Packaging and Presentation: The physical context of the manuscript and printed book including its binding, visual presentation and internal organization, Consumers: Producers, Owners,...