A voice is much more than just a string of words. Voices, unlike fingerprints, are inherently complex. They signal a great deal of information in addition to the intended message: the speakers' sex, for example, or their emotional state, or age. Although evidence from DNA analysis grabs the headlines, DNA can't talk. It can't be recorded planning, carrying-out or confessing to a crime. It can't be so apparently directly incriminating. Perhaps it is these features which contribute to the interest and importance of Forensic Speaker Identification (FSI).

Beyond its elucidation and critique of traditional 'notation-centric' musicology, this book's primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters' final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters' third solo album Amused to Death (1993). This book's analysis of album...

Even prior to the field's invention, Susanne Langer implied that the arts are all subtopics of Communication Studies. This unique project has effectively allowed the author to combine his backgrounds in the interdisciplinary fields of popular music studies, cultural theory, communication studies, and the practice of music criticism. This book investigates the fascinating and important work of the British group Radiohead, named by Time Magazine among its Top 100 Most Influential People of 2008, and focuses particularly on their landmark recording OK Computer (1997), a document preserved as...