Stephen Cushman's Riffraff embodies the spirit of its title, a Middle English word for "every particle" or "things of small value." In this striking collection, scraps of the overlooked, and distasteful -- a prostitute passed in the street, the speaker's own forgotten dreams, toothless dogs rolling in deer offal -- become occasions to meditate on the rich experiences from which we too often turn away.

The poems reflect on the possibilities of language, the natural world, politics, history, eros, aging, family, and spiritual devotion. Without pretension, Cushman values "adepts who can...

In the 1830s Alexis de Tocqueville prophesied that American writers would slight, even despise, form--that they would favor the sensational over rational order. He suggested that this attitude was linked to a distinct concept of democracy in America. Exposing the inaccuracies of such claims when applied to poetry, Stephen Cushman maintains that American poets tend to overvalue the formal aspects of their art and in turn overestimate the relationship between those formal aspects and various ideas of America. In this book Cushman examines poems and prose statements in which poets as...

The "red list" of Stephen Cushman's new volume of poetry is the endangered species register, and the book begins and ends with the bald eagle, a bird that bounded back from the verge of extinction. The volume marks the inevitability of such changes, from danger to safety, from certainty to uncertainty, from joy to sadness and back again. In a single poem that advances through wordplay and association, Cushman meditates on subjects as vast as the earth's fragile ecosystem and as small as the poet's own deflated fantasy of self-importance: "There aren't any jobs for more Jeremiahs."...