Sgt. Pepper's Lonely Hearts Club Band (1967) represents the highpoint of the recording career of the Beatles. This is a detailed study of this album, and it demonstrates how serious discussion of popular music can be undertaken without failing either the approach or the music. Dr. Moore considers each song individually, tying his analysis to the recorded performance on disk, rather than the printed music. He focuses on the musical quality of the songs and the interpretations offered by a range of commentators. He also describes the context in which the album was written--both within the...
Sgt. Pepper's Lonely Hearts Club Band (1967) represents the highpoint of the recording career of the Beatles. This is a detailed study of this album, ...
How do we "know" music? We perform it, compose it, sing it in the shower; cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Portraying a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk), the essays cover methodology, modernism, postmodernism, Marxism and communication.
How do we "know" music? We perform it, compose it, sing it in the shower; cook, sleep and dance to it. Eventually we think and write about it. This bo...
This thoroughly revised second edition of Allan Moore's ground-breaking book features new sections on melody, Britpop, authenticity, intertextuality, and an extended discussion of texture. Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock and subsequent styles. He also explores the fundamental issue of rock as a medium for self-expression, and the relationship of this to...
This thoroughly revised second edition of Allan Moore's ground-breaking book features new sections on melody, Britpop, authenticity, intertextuality, ...
How do we "know" music? We perform it, compose it, sing it in the shower; cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Portraying a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk), the essays cover methodology, modernism, postmodernism, Marxism and communication.
How do we "know" music? We perform it, compose it, sing it in the shower; cook, sleep and dance to it. Eventually we think and write about it. This bo...
