Except for accounts of journalists, dissident employees, and an occasional congressional committee focusing on crime and unethical practices, we have known very little about how television programs are produced. The Hollywood TV Producer, originally published in 1971, was the first serious examination of constraints, conflicts, and rewards in the daily lives of television producers. Its insights were important at the time and have not been challenged.
Using as her framework the social system of mass communications, Muriel G. Cantor shows how producers select stories for...
Except for accounts of journalists, dissident employees, and an occasional congressional committee focusing on crime and unethical practices, we ha...
Except for accounts of journalists, dissident employees, and an occasional congressional committee focusing on crime and unethical practices, we have known very little about how television programs are produced. The Hollywood TV Producer, originally published in 1971, was the first serious examination of constraints, conflicts, and rewards in the daily lives of television producers. Its insights were important at the time and have not been challenged.
Using as her framework the social system of mass communications, Muriel G. Cantor shows how producers select stories for...
Except for accounts of journalists, dissident employees, and an occasional congressional committee focusing on crime and unethical practices, we ha...