Superb. Vetter s incisive introduction offers one of the first approaches to theorizing women s late modernist literary production as advancing specifically hybrid works located at the juncture of personal, national, and nationalist concerns. Cynthia Hogue, coeditor of The Sword Went Out to Sea

This edition, with its finely written introduction and meticulous annotation, opens up new understandings of H.D., the major modernist writer, as she meditates, postwar, on the inner life of Shakespeare, the icon of English literature, and on the women missing from his plays. A beautiful...