The second part of this volume comprises four essays on Durand's music, contributed by three of his former composition students -- Christian Asplund, Eric Flesher, and Ryan M. Hare -- and by his colleague, music theorist Jonathan W. Bernard, who has also edited and introduced this absorbing portrait of the composer.

The second part of this volume comprises four essays on Durand's music, contributed by three of his former composition students -- Christian Asplund, Eric Flesher, and Ryan M. Hare -- and by his colleague, music theorist Jonathan W. Bernard, who has also edited and introduced this absorbing portrait of the composer.

This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that have remained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in...