This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

A classic in cosmic horror, Arthur Machen's most famous story is a journey through fear, madness, and the darkest regions of the unknown. A woman is rendered catatonic after a doctor's botched attempt at brain surgery. The surgery, it seems, has opened the woman to a forbidden fold in existence, a place not meant for human eyes, a place where "The Great God Pan" dwells. Years later, men of good position begin committing suicide in the most heinous ways, and for no apparent reason. But behind this trail of bodies is a mysterious woman. What is her connection to the suicides? And even more...

This is the classic masterpiece from Arthur Machen. This story influenced everyone from H.P. Lovecraft to Stephen King. Grab it, read it, but keep the lights on.

Presented for your enjoyment in easy-to-read 16 point type is the Arthur Machen classic horror novella, The Great God Pan. This tale influenced writers from H.P. Lovecraft to Stephen King. Grab it, read it, but keep the lights on.

Classics in speculative fiction, Arthur Machen's most famous stories are journeys through fear, madness, and the furthest regions of the unknown.

A woman is rendered catatonic after a doctor's botched attempt at brain surgery. The surgery, it seems, has opened the woman to a forbidden fold in existence, a place not meant for human eyes, a place where "The Great God Pan" dwells. Years later, men of good position begin committing suicide in the most heinous ways, and for no apparent reason. But behind this trail of bodies is a mysterious woman. What is her connection to the suicides? And...

Classic horror. Dr. Raymond performs brain surgery on Mary, leaving her terrified and mentally crippled. Later, her sister Helen has mysterious doings.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

It was somewhere, I think, towards the autumn of the year 1889 that the thought occurred to me that I might perhaps try to write a little in the modern way. For, hitherto, I had been, as it were, wearing costume in literature. The rich, figured English of the earlier part of the seventeenth century had always had a peculiar attraction for me. I accustomed myself to write in it, to think in it; I kept a diary in that manner, and half-unconsciously dressed up my every day thoughts and common experiences in the habit of the Cavalier or of the Caroline Divine.