Challenging the long-held view that Johnson's criticism of Shakespeare is of historical interest only, having been assimilated and superseded by later work, this study argues that Johnson's interpretation of Shakespeare as "the poet of nature" is actually a radical and provocative proposition. Parker provides an illuminating series of contrasts of the leading Romantic critics--Coleridge, Schlegel, and Hazlitt--arguing that the dichotomies that emerge from their writings reflect tensions exhibited by or explored within the plays themselves. He relates Johnson's feeling for general nature to...

In this first study of the role of scepticism in literature, Fred Parker offers a lively and stimulating introduction to key issues in eighteenth-century literature and philosophy. Parker traces the presence of sceptical thinking in works by Pope, Hume, Sterne, and Johnson, relates it more broadly to the social self-consciousness of eighteenth-century culture, and discusses its source in Locke and its inspiration in Montaigne.