Provocative and timely, "Disciplining Music" confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons-rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays tug and push at the very boundaries of these...

Nineteen scholars from five countries explore significant issues in the history of ethnomusicology and its methodological and theoretical foundations, while providing a critique of the discipline.
"This is a useful and enriching collection of articles of interest to musicologists and ethnomusicologists. . . . The authors manage to cover much ground, presenting fascinating insights into the history of the discipline while also exploring new directions in both theory and analysis. . . . the most sweeping work of this kind to be published since the 1960s."-L. D. Loeb, University of Utah,...

'This book is unique not only for its approach but also for the scope of its content....It is definitely a must for libraries of research centers and institutions with ethnomusicology programs.' - Kazadi wa Muduna, Choice

Despite the laments of some nineteenth-century German immigrants that America was a land bereft of poetry and song, a "land without nightingales," the history of German American music is a rich one. This book explores the wide variety of forms of musical expression among German-speaking immigrants to America and their descendants from the eighteenth century to the present. Topics range from Moravian music in colonial America to musical life among twenty-first century Canadian Hutterites, from polka music to German singing societies, from Lutheran hymns to the songs of German-speaking Catholic...