Aeschylus' famed tragedies 'Agamemnon', 'The Libation Bearers' and 'The Eumenides' comprise 'The Oresteia', which uses the story of a family curse and a long history of murder and revenge to raise haunting questions about the nature and the price of justice.
Aeschylus' famed tragedies 'Agamemnon', 'The Libation Bearers' and 'The Eumenides' comprise 'The Oresteia', which uses the story of a family curse and...
In considering the practice and theory of translating Classical Greek plays into English from a theatrical perspective, Found in Translation, first published in 2006, also addresses the wider issues of transferring any piece of theatre from a source into a target language. The history of translating classical tragedy and comedy, here fully investigated, demonstrates how through the ages translators have, wittingly or unwittingly, appropriated Greek plays and made them reflect socio-political concerns of their own era. Chapters are devoted to topics including verse and prose, mask and...
In considering the practice and theory of translating Classical Greek plays into English from a theatrical perspective, Found in Translation, first pu...
This fascinating introduction to the comedy of Menander is the work of two classical scholars, both of whom have worked extensively as theatre practitioners. This is the first book to consider the plays of Menander primarily as performance pieces and to uncover the dramatic technique of this widely admired comic writer, whose plays had all but disappeared until the 1950s. Looking at the theatrical context of Menandrian comedy in its widest sense, the book includes discussions of recent productions, the recovery of the texts, the treatment of women and slaves, the nature of Menander's...
This fascinating introduction to the comedy of Menander is the work of two classical scholars, both of whom have worked extensively as theatre prac...
In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visual approach to the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the old and new comedies of Aristophanes and Menander, he argues that while Greek drama is seen now as a performance-based rather than a strictly literary medium, more attention should still be paid to the nature of stage image and masked acting as part of this conception.
In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visua...
In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visual approach to the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the old and new comedies of Aristophanes and Menander, he argues that while Greek drama is seen now as a performance-based rather than a strictly literary medium, more attention should still be paid to the nature of stage image and masked acting as part of this conception.
In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visua...
