H. G. Wells was one of the most influential authors of the late 19th and early 20th centuries. He is best remembered today as the author of classic works of science fiction, such as "The Invisible Man," "The War of the Worlds," and "The First Men in the Moon." He was also the author of "The Outline of World History," an ambitious chronicle of the world from antiquity to the beginning of the 20th century. Through essays and reviews, this volume traces the critical reception of his works.
An introductory essay overviews Wells's literary career and provides a context for understanding his...
H. G. Wells was one of the most influential authors of the late 19th and early 20th centuries. He is best remembered today as the author of classic...
The half-blood -- half Indian, half white -- is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed "half Indian, half white, and half devil" -- or a bright link between the races from which would emerge a new American...
The half-blood -- half Indian, half white -- is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) s...
Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy of the universe and men's and women's places in it? Colonial American women relied on the same authorities and traditions as did colonial men, but they encountered special difficulties validating themselves in writing. William Scheick explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This study features the poetry of Mary English and Anne...
Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy...
First published in 1976, "The Year the Lights Came On" was Terry Kay's debut novel. Revolving around the electrification of rural northeast Georgia shortly after the end of World War II, the novel has become a classic coming-of-age story. Kay, now an acclaimed writer with an international following, has reread the novel with the eyes of a seasoned storyteller. Cutting here and adding there, Kay has enriched an already highly comical and poignant work. "The Year the Lights Came On" is ready to find its place in the hearts of a new generation.
First published in 1976, "The Year the Lights Came On" was Terry Kay's debut novel. Revolving around the electrification of rural northeast Georgia sh...
Puritan culture in many respects militated against artistic expression. Yet, like nature, art persisted, managing to gain a foothold in whatever crevices Puritan culture provided. Jonathan Edwards's artistry, evident in his deliberate experiments in the management of language, grew out of his duty as a minister to communicate his sermons effectively. Emphasizing recurrent theological and artistic implications, The Writings of Jonathan Edwards focuses on the progressive interiorization of Edwards's primary concerns. Underlying this development was Edwards's desire to resolve the question...
Puritan culture in many respects militated against artistic expression. Yet, like nature, art persisted, managing to gain a foothold in whatever crevi...
The romance genre was a popular literary form among writers and readers in the nineteenth and early twentieth centuries, but since then it has often been dismissed as juvenile, unmodern, improper, or subversive. In this study, William J. Scheick seeks to recover the place of romance in fin-de-siecle England and America; to distinguish among its subgenres of eventuary, aesthetic, and ethical romance; and to reinstate ethical romance as a major mode of artistic expression.
The authors whose works Scheick discusses are Nathaniel Hawthorne, H. Rider Haggard, Henry James, C. J. Cutcliffe...
The romance genre was a popular literary form among writers and readers in the nineteenth and early twentieth centuries, but since then it has ofte...
The notion that Wells's best work includes some of his later discursive novels of ideas might seem perverse. This focuses on Wells's fiction of the 1920s and 1930s and its goal is to deepen appreciation of Wells as a literary artist. Any consideration of Wells's artistry necessarily entails a consideration of his ideas, and this book focuses primarily on his concept of time and of the human will.
The notion that Wells's best work includes some of his later discursive novels of ideas might seem perverse. This focuses on Wells's fiction of the 19...
