I Don't Hate The South takes its title from the famous declaration by Faulkner's character Quentin Compson in the novel Absalom, Absalom . The book traces Baker's own ambivalent relationship to the South and its various protocols of family and black expressive cultural independence through a memoiristic recounting of the author's various academic posts, family dramas, travels, and engagements with that most famous of southern authors, William Faulkner as well as the black expressive "experimentalists" Percival Everett and Ralph Ellison. I Don't Hate The South's...
I Don't Hate The South takes its title from the famous declaration by Faulkner's character Quentin Compson in the novel Absalom, Absalom ...
In this explosive book, Houston Baker takes stock of the current state of Black Studies in the university and outlines its responsibilities to the newest form of black urban expression rap. A frank, polemical essay, "Black Studies, Rap, and the Academy" is an uninhibited defense of Black Studies and an extended commentary on the importance of rap. Written in the midst of the political correctness wars and in the aftermath of the Los Angeles riots, Baker's meditation on the academy and black urban expression has generated much controversy and comment from both ends of the political spectrum."
In this explosive book, Houston Baker takes stock of the current state of Black Studies in the university and outlines its responsibilities to the new...
"Mr. Baker perceives the harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-determination and in so doing gave forth a distinctive form of expression that still echoes in a broad spectrum of 20th-century Afro-American arts. . . . Modernism and the Harlem Renaissance may well become Afro-America's 'studying manual.'"--Tonya Bolden, New York Times Book Review
"Mr. Baker perceives the harlem Renaissance as a crucial moment in a movement, predating the 1920's, when Afro-Americans embraced the task of self-det...
Relating the blues to American social and literary history and to Afro-American expressive culture, Baker offers the basis for a broader study of American culture at its vernacular level. He shows how the blues voice and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
Relating the blues to American social and literary history and to Afro-American expressive culture, Baker offers the basis for a broader study of Amer...
Featuring the work of the most distinguished scholars in the field, this volume assesses the state of Afro-American literary study and projects a vision of that study for the 1990s. "A rich and rewarding collection."-"Choice." "This diverse and inspired collection . . . testifies to the Afro-Am academy's extraordinary vitality."-"Voice Literary Supplement"
Featuring the work of the most distinguished scholars in the field, this volume assesses the state of Afro-American literary study and projects a visi...
Black British Cultural Studies has attracted significant attention recently in the American academy both as a model for cultural studies generally and as a corrective to reigning constructions of Blackness within African-American studies. This anthology offers the first book-length selection of writings by key figures in this field. From Stuart Hall's classic study of racially structured societies to an interview by Manthia Diawara with Sonia Boyce, a leading figure in the Black British arts movement, the papers included here have transformed cultural studies through their sustained focus...
Black British Cultural Studies has attracted significant attention recently in the American academy both as a model for cultural studies generally and...
Ronald Michael Radano Philip Vilas Bohlman Houston A., Jr. Baker
A spectre lurks in the house of music, and it goes by the name of race, write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception and scholarly...
A spectre lurks in the house of music, and it goes by the name of race, write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate...
Ronald Michael Radano Philip Vilas Bohlman Houston A., Jr. Baker
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly...
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intima...
When Houston A. Baker Jr. one of America s foremost literary critics, first published Afro-American Poetics in 1988, it was hailed as a major revisionist history of both African American culture and criticism. Now available in paperback, this ambitious and enlightening book juxtaposes two of the most fertile periods of African American culture, the 1920s and the 1960s; it includes essays on Jean Toomer, Countee Cullen, Amiri Baraka, Larry Neal, and Hoyt Fuller. This is also Baker s most personal book, an intellectual autobiography tracing his own beginnings as a scholar of Victorian...
When Houston A. Baker Jr. one of America s foremost literary critics, first published Afro-American Poetics in 1988, it was hailed as a majo...
From the lone outcry of Richard Wright's "Black Boy" to the chorusing voices of Louis Farrakhan's Million Man March, "Critical Memory" looks across the past half century to assess the current challenges to African American cultural and intellectual life. As Houston A. Baker recalls his own youth in Louisville, Kentucky, and Washington, D.C., he situates such figures as Ralph Ellison, James Baldwin, Shelby Steele, O. J. Simpson, Chris Rock, and Jesse Jackson within such issues as the embattled state of African American manhood and the "financing and promotion of black intellectuals."
The...
From the lone outcry of Richard Wright's "Black Boy" to the chorusing voices of Louis Farrakhan's Million Man March, "Critical Memory" looks across...
