This engrossing book describes how four twentieth-century women writers--Carson McCullers, Flannery O'Connor, Toni Morrison, and Grace Paley--have inherited and adapted the classical tradition of American romance fiction. Emily Miller Budick argues that this tradition, exemplified by the works of Nathaniel Hawthorne, Edgar Allan Poe, Herman Melville, Henry James, William Faulkner, and Ralph Ellison, is inherently skepticist, questioning whether and how we know reality. It is also sharply critical of the patriarchal bias of American culture, which is understood by these writers as a way of...
This engrossing book describes how four twentieth-century women writers--Carson McCullers, Flannery O'Connor, Toni Morrison, and Grace Paley--have inh...
In an attempt to lend a more nuanced ear to the ongoing dialogue between African and Jewish Americans, Emily Budick examines the works of a range of writers, critics, and academics from the 1950s through the 1980s. This study records conversations both explicit, such as essays and letters, and indirect, such as the fiction of Bernard Malamud, Philip Roth, Alice Walker, Cynthia Ozick, Toni Morrison, and James Baldwin. The purpose is to understand how this dialogue has engendered misperceptions and misunderstandings, and how blacks and Jews in America have both sought and resisted...
In an attempt to lend a more nuanced ear to the ongoing dialogue between African and Jewish Americans, Emily Budick examines the works of a range of w...
Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to respond intellectually and ethically to human experiences of devastation. In this captivating study of the epistemological, psychological, and ethical issues underlying Holocaust fiction, Emily Miller Budick examines the subjective experiences of fantasy, projection, and repression manifested in Holocaust fiction and in the reader's encounter with it. Considering works by Cynthia Ozick, Art Spiegelman, Aharon Appelfeld, Michael Chabon, and others,...
Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to re...
Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to respond intellectually and ethically to human experiences of devastation. In this captivating study of the epistemological, psychological, and ethical issues underlying Holocaust fiction, Emily Miller Budick examines the subjective experiences of fantasy, projection, and repression manifested in Holocaust fiction and in the reader's encounter with it. Considering works by Cynthia Ozick, Art Spiegelman, Aharon Appelfeld, Michael Chabon, and others,...
Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to re...
