A complex portrait of postdictatorial Chile by one of that country's most incisive cultural critics, this book uses memoirs, photographs, the plastic arts, novels, and other texts--the "residues" of a culture--to analyze the political-cultural Chilean landscape in the wake of Augusto Pinochet's seventeen-year military rule. Such residual areas reveal the flaws and lapses in Chile's transition from violent military dictatorship to electoral democracy. Nelly Richard's analysis ranges from an exploration of false memories of the recent past--especially memories of violence--to a discussion of...

Through the dimensions of aesthetics, culture, and politics, Richard (cultural studies, U. Arcis, Santiago, Chile) analyzes certain zones of tension and conflict in Chile resulting from the democratic transition process. He finds the zones to be more or less residual, pointing to unstable formations of symbolic and cultural deposits and sedimentati

Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile's neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973-1990), and she has continued to offer incisive commentary about the country's transition to democracy. Well known as the founder and director of the influential Santiago-based journal Revista de critica cultural, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers,...

Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile's neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973-1990), and she has continued to offer incisive commentary about the country's transition to democracy. Well known as the founder and director of the influential Santiago-based journal Revista de critica cultural, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers,...

Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile's neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973-1990), and she has continued to offer incisive commentary about the country's transition to democracy. Well known as the founder and director of the influential journal Revista de critica cultural, based in Santiago, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers,...

Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile's neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973-1990), and she has continued to offer incisive commentary about the country's transition to democracy. Well known as the founder and director of the influential journal Revista de critica cultural, based in Santiago, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers,...

The Chilean Pavilion at the 56th Venice Biennale presents Chilean artists Paz Errazuriz (born 1944) and Lotty Rosenfeld (born 1943), both recognized for their artistic and political work during the dictatorship. This book discusses Errazuriz's black-and-white photography and Rosenfeld's interventions in public spaces.

In this important book, one of Latin America s foremost critical theorists examines the use and abuse of memory in the wake of the social and political trauma of Pinochet s Chile.

In this important book, one of Latin America s foremost critical theorists examines the use and abuse of memory in the wake of the social and political trauma of Pinochet s Chile.