Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries.
Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and w...
Why did dustmen exercise an extended hold over the imagination of many Regency and Victorian artists and writers, including George Cruikshank, Henry Mayhew, Charles Dickens as well as numerous little known dramatists, caricaturists, print makers, journalists and novelists? This book, the first study of the cultural representation of the dust trade, provides many varied answers to this question by showing the ways in which London dustmen were associated with ideas of contamination, dirt, noise, violence, wealth, consumerism and threat. Drawing on an extraordinary range of sources, including...
Why did dustmen exercise an extended hold over the imagination of many Regency and Victorian artists and writers, including George Cruikshank, Henry M...
Robert Seymour s Sketches by Seymour was one of the nineteenth century s most enduring and widely reprinted books. Each new edition added fresh layers of text, textual annotation, and paratextual elements, with the result that Sketches offers an exemplary account of the dynamics of Victorian publishing. In the first book-length study of Seymour s work, Brian Maidment sheds light on the relationship between texts and illustrations in the late Regency and Victorian eras and the ways in which comic and satirical graphic images were increasingly assimilated into complex layers of textuality....
Robert Seymour s Sketches by Seymour was one of the nineteenth century s most enduring and widely reprinted books. Each new edition added fresh layers...
Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely neglected area of visual culture. It considers the impact on the development of print culture of the emergent, but soon widespread, use of lithography and wood engraving, both capable of integrating texts and images cheaply and imaginatively on the printed page. Drawing on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures, this book...
Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely ne...