The desert has long been a theme in Mark C. Taylor s work, from his inquiries into the religious significance of Las Vegas to his writings on earthworks artist Michael Heizer. At once haunted by absence and loss, the desert, for Taylor, is a place of exile and wandering, of temptation and tribulation. Bones, in turn, speak to his abiding interest in remnants, ruins, ritual, and immanence. Taylor combines his fascination in the detritus of the desert and its philosophical significance with his work in photography in "Mystic Bones." A collection of remarkably elegant close-up images of...
The desert has long been a theme in Mark C. Taylor s work, from his inquiries into the religious significance of Las Vegas to his writings on earth...
We live in a moment of unprecedented complexity, an era in which change and information can move faster than our ability to comprehend them. With "The Moment of Complexity," Mark C. Taylor offers a map for the unfamiliar terrain opening in our midst, unfolding an original philosophy for our time through a remarkable synthesis of science and culture.
We live in a moment of unprecedented complexity, an era in which change and information can move faster than our ability to comprehend them. With "The...
A rich exploration of the possibilities of representation after Modernism, Mark Taylor's new study charts the logic and continuity of Mark Tansey's painting by considering the philosophical ideas behind Tansey's art. Taylor examines how Tansey uses structuralist and poststructuralist thought as well as catastrophe, chaos, and complexity theory to create paintings that please the eye while provoking the mind. Taylor's clear accounts of thinkers ranging from Plato, Kant, and Hegel to Merleau-Ponty, Derrida, and de Man will be an invaluable contribution to students and teachers of art.
A rich exploration of the possibilities of representation after Modernism, Mark Taylor's new study charts the logic and continuity of Mark Tansey's pa...
"Nots" is a virtuoso exploration of negation and negativity in theology, philosophy, art, architecture, postmodern culture, and medicine. In nine essays that range from nihility in Buddhism to the embodiment of negativity in disease, Mark C. Taylor looks at the surprising ways in which contrasting concepts of negativity intersect. In the first section of this book, Taylor discusses the question of the "not" in the religious thought of Anselm, Hegel, Derrida, and Nishitani. In the second part, he analyzes artistic efforts "to figure not" in the work of artists Arakawa and Madeline Gins,...
"Nots" is a virtuoso exploration of negation and negativity in theology, philosophy, art, architecture, postmodern culture, and medicine. In nine essa...
Readers familiar with Mark C. Taylor's previous writing will immediately recognize "Altarity" as a remarkable synthetic project. This work combines the analytic depth and detail of Taylor's earlier studies of Kierkegaard and Hegel with the philosophical and theological scope of his highly acclaimed "Erring." In "Altarity," Taylor develops a genealogy of otherness and difference that is based on the principle of creative juxtaposition. Rather than relying on a historical or chronological survey of crucial moments in modern philosophical thinking, he explores the complex question of...
Readers familiar with Mark C. Taylor's previous writing will immediately recognize "Altarity" as a remarkable synthetic project. This work combines th...
"There is no rigorous and effective deconstruction without the faithful memory of philosophies and literatures, without the respectful and competent reading of texts of the past, as well as singular works of our own time. Deconstruction is also a certain thinking about tradition and context. Mark Taylor evokes this with great clarity in the course of a remarkable introduction. He reconstitutes a set of premises without which no deconstruction could have seen the light of day." Jacques Derrida "This invaluable philosophical sampler brings together many of the threads out of which...
"There is no rigorous and effective deconstruction without the faithful memory of philosophies and literatures, without the respectful and competent r...
A century that began with modernism sweeping across Europe is ending with a remarkable resurgence of religious beliefs and practices throughout the world. Wherever one looks today, from headlines about political turmoil in the Middle East to pop music and videos, one cannot escape the pivotal role of religious beliefs and practices in shaping selves, societies, and cultures. Following in the very successful tradition of "Critical Terms for Literary Studies" and "Critical Terms for Art History," this book attempts to provide a revitalized, self-aware vocabulary with which this bewildering...
A century that began with modernism sweeping across Europe is ending with a remarkable resurgence of religious beliefs and practices throughout the wo...
"Religion," Mark C. Taylor maintains, "is most interesting where it is least obvious." From global financial networks to the casinos of Las Vegas, from images flickering on computer terminals to steel sculpture, material culture bears unexpected traces of the divine. In a world where the economies of faith are obscure, yet pervasive, Taylor shows that approaching religion directly is less instructive than thinking about it. Traveling from high culture to pop culture and back again, About Religion approaches cyberspace and Las Vegas through Hegel and Kant and reads Melville's...
"Religion," Mark C. Taylor maintains, "is most interesting where it is least obvious." From global financial networks to the casinos of Las Vegas, fro...
Taylor (humanities and religion, Williams College, Massachusetts) reconsiders the two philosophers based on the notion that all modern philosophy lies between the poles of their thought. He has added a new introduction to the 1980 original edition.
Taylor (humanities and religion, Williams College, Massachusetts) reconsiders the two philosophers based on the notion that all modern philosophy lies...
Taylor (humanities and religion, Williams College, Massachusetts) reconsiders the two philosophers based on the notion that all modern philosophy lies between the poles of their thought. He has added a new introduction to the 1980 original edition.
Taylor (humanities and religion, Williams College, Massachusetts) reconsiders the two philosophers based on the notion that all modern philosophy lies...
