Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care? Focusing on different works and varied aspects of Allen's multifaceted output, these essays explore the philosophical undertones of Anne Hall, Crimes and Misdemeanors, Manhattan, A Midsummer Night's Sex Comedy and reminds us that just because the universe is meaningless and life is pointless is no reason to commit suicide.
Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should any...
Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present.
In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about...
Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizi...
Reading Rasmussen and Den Uyl is a collection of interpretive and critical essays by philosophers and political scientists which explores central themes in liberalism and its ethical and metaphysical grounding. The volume contains a reply essay by Rasmussen and Den Uyl.
Reading Rasmussen and Den Uyl is a collection of interpretive and critical essays by philosophers and political scientists which explores central them...
Steven Sanders Aeon J. Skoble R. Barton, Prof. Palmer
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works --...
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented...
