An imaginative and passionate synthesis of form and function, Landing on the Wrong NOte goes beyond mainstream jazz criticism, outlining a new poetics of jazz that emerges not from the ivory tower but from the clubs, performances, and lives of today's jazz musicians.
An imaginative and passionate synthesis of form and function, Landing on the Wrong NOte goes beyond mainstream jazz criticism, outlining a ne...
This is a study of jazz from two perspectives: as a cultural and musical form, and as the subject of cultural theory. If jazz is the most sophisticated, even cerebral, of popular musical genres, what can literary and cultural theory contribute to our understanding of it? By intermingling personal anecdote, observation, and conversation with jazz artists, as well as deploying the materials of cultural theory (gender, psychoanalysis, and so forth), Ajay Heble offers a tool for understanding what it is that jazz does.
This is a study of jazz from two perspectives: as a cultural and musical form, and as the subject of cultural theory. If jazz is the most sophisticate...
Much of the critical writing on the fiction of Alice Munro has explored and emphasized Munro's 'realism'. But her stories frequently turn on what has been left out; they are rife with unsent (unfinished) letters, with things people mean to, but do not, say or tell. Ajay Heble's study focuses on Munro's involvement with a 'discourse of absence' and suggests that our understanding of these texts often depends not only on what happens in the fiction, but also on what might have happened.
Munro's stories confer their meaning not simply by referring to an outer reality, but also by...
Much of the critical writing on the fiction of Alice Munro has explored and emphasized Munro's 'realism'. But her stories frequently turn on what h...
In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical...
In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil ...
Improvisation is a performance practice that animates and activates diverse energies of inspiration, critique, and invention. In recent years it has coalesced into an exciting and innovative new field of interdisciplinary scholarly inquiry, becoming a cornerstone of both practical and theoretical approaches to performance. The Improvisation Studies Reader draws together the works of key artists and thinkers from a range of disciplines, including theatre, music, literature, film, and dance. Divided by keywords into eight sections, this book bridges the gaps between these fields. The book...
Improvisation is a performance practice that animates and activates diverse energies of inspiration, critique, and invention. In recent years it has c...
Improvisation is a performance practice that animates and activates diverse energies of inspiration, critique, and invention. In recent years it has coalesced into an exciting and innovative new field of interdisciplinary scholarly inquiry, becoming a cornerstone of both practical and theoretical approaches to performance.
The Improvisation Studies Reader draws together the works of key artists and thinkers from a range of disciplines, including theatre, music, literature, film, and dance. Divided by keywords into eight sections, this book bridges the gaps between these...
Improvisation is a performance practice that animates and activates diverse energies of inspiration, critique, and invention. In recent years it ha...
This book offers compelling new perspectives on the revolutionary potential of improvisation pedagogy. Bringing together contributions from leading musicians, scholars, and teachers from around the world, the volume articulates how improvisation can breathe new life into old curricula; how it can help teachers and students to communicate more effectively; how it can break down damaging ideological boundaries between classrooms and communities; and how it can help students become more thoughtful, engaged, and activist global citizens. In the last two decades, a growing number of music...
This book offers compelling new perspectives on the revolutionary potential of improvisation pedagogy. Bringing together contributions from leading...