Charlotte Charke's father, Colley Cibber, was one of the eighteenth-century's great actor/playwrights--and it was thought that the comedically gifted young Charlotte would follow in his footsteps at the legendary Drury Lane. However, Charlotte's habit of wearing men's clothes off stage as well as on, proved an obstacle to her career.
Kathryn Shevelow re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her...
Charlotte Charke's father, Colley Cibber, was one of the eighteenth-century's great actor/playwrights--and it was thought that the comedically gift...
"An exceptionally interesting history of the animal protection movement . . . For the Love of Animals is exemplary in every respect."--The Washington Post Book World
In eighteenth-century England--where the abuse of animals was routine--the idea of animal protection was dismissed as laughably radical. But as pets became more common, human attitudes toward animals evolved steadily, and with the concentrated efforts of an unconventional duchess, a gentleman scientist, and an eccentric Scots barrister, the lives of beasts--and, correspondingly, men and women--began...
"An exceptionally interesting history of the animal protection movement . . . For the Love of Animals is exemplary in every respect."--