This collection represents, in substance and style, folk tradition in the North-West Region of Cameroon. Contained herein is a sampling of various human emotions, parental concerns, and societal conflicts: emotional insecurity, deceit, obstinacy, power and control, trickery, malevolence, greed, jealousy, and more. The stylistic representation is reflected in the double writing, as shown by the dialogues, the songs, and the use of choruses. These tales are ageless, placeless, and, therefore, anonymous; yet they are also the collective wisdom of a people who are supposed once to have walked the...

In this collection Ayuninjam attempts to capture his sentiments on many plains. He also takes the liberty to capture the sentiments of other persons in his life and in society as a whole as well as the sentiments of other creatures that are part of the chain of life. As a result, much of what follows is occasional poetry, as he has more often than not responded or reacted to his sensations while also being a surrogate for those who could (or would) not express theirs. Having lived abroad for as long as he lived in Cameroon, his perspective has, accordingly, been coloured, though not...