This wide-ranging study explores the ideological framework of genre in Old French and Occitan literature by charting the relationship between ideology and gender in five key genres: the chansons de geste, courtly romance, the Occitan canso, hagiography and the fabliaux. Simon Gaunt offers new readings of canonical Old French and medieval Occitan texts such as the Chanson de Roland, Chré tien de Troyes' Chevalier de la charrete, and lyrics by Bernart de Ventadorn. In addition, he considers many less well-known works and less familiar genres such as hagiography and the fabliaux. Drawing on...
This wide-ranging study explores the ideological framework of genre in Old French and Occitan literature by charting the relationship between ideology...
This wide-ranging study explores the ideological framework of genre in Old French and Occitan literature by charting the relationship between ideology and gender in five key genres: the chansons de geste, courtly romance, the Occitan canso, hagiography and the fabliaux. Simon Gaunt offers new readings of canonical Old French and medieval Occitan texts such as the Chanson de Roland, Chretien de Troyes' Chevalier de la charrete, and lyrics by Bernart de Ventadorn. In addition, he considers many less well-known works and less familiar genres such as hagiography and the fabliaux. Drawing on...
This wide-ranging study explores the ideological framework of genre in Old French and Occitan literature by charting the relationship between ideology...
This book offers a general introduction to the world of the troubadours. Its sixteen chapters, newly commissioned from leading scholars in Britain, the United States, France, Italy and Spain, trace the development of troubadour song (including music), engage with the main trends in troubadour scholarship, and examine the reception of troubadour poetry in manuscripts and in Northern French romance. A series of appendices offer an invaluable guide to more than fifty troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
This book offers a general introduction to the world of the troubadours. Its sixteen chapters, newly commissioned from leading scholars in Britain, th...
This book offers a general introduction to the world of the troubadours. Its sixteen chapters, newly commissioned from leading scholars in Britain, the United States, France, Italy and Spain, trace the development of troubadour song (including music), engage with the main trends in troubadour scholarship, and examine the reception of troubadour poetry in manuscripts and in Northern French romance. A series of appendices offer an invaluable guide to more than fifty troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
This book offers a general introduction to the world of the troubadours. Its sixteen chapters, newly commissioned from leading scholars in Britain, th...
This accessible introduction to medieval French literature concentrates on how to enjoy reading this lively and influential literary tradition. Rather than offering a conventional literary history, Simon Gaunt suggests strategies for reading medieval French texts, many of which retell traditional stories. A common misconception among students and dated textbooks is that medieval French literature is merely a 'recording' of an oral tradition. This book draws a picture of medieval literature, showing that medieval writers were in fact very aware that they were retelling tales in a new...
This accessible introduction to medieval French literature concentrates on how to enjoy reading this lively and influential literary tradition. Rat...
One of the earliest troubadours, Marcabru was a remarkable artist and entertainer, and a figure of crucial importance to the development of the European courtly lyric. His blistering attacks on contemporary court society reveal an intellectual insider's view of the clash between clerical morality and the emerging secular ethics of love and courtesy. His fervent, often acerbic engagement with contemporary events also provides a unique southern perspective on political upheavals and crusading movements in twelfth-century Occitania and northern Spain. This new critical edition, the first for...
One of the earliest troubadours, Marcabru was a remarkable artist and entertainer, and a figure of crucial importance to the development of the Europe...
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de...
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These te...
From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a corpus of earnestly serious and confessional love poetry, with little or no humour. Troubadours and Irony re-examines the work of five early troubadours, namely Marcabru, Bernart Marti, Peire d'Alvernha, Raimbaut d'Aurenga and Giraut de Borneil, to argue that the courtly poetry of southern France in the twelfth century was permeated with irony and...
From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast...
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de...
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These te...
Some of medieval culture's most arresting images and stories inextricably associate love and death. Thus the troubadour Jaufre Rudel dies in the arms of the countess of Tripoli, having loved her from afar without ever having seen her. Or in Marie de France's Chevrefoil, Tristan and Iseult's fatal love is hauntingly symbolized by the fatally entwined honeysuckle and hazel. And who could forget the ethereal spectacle of the Damoisele of Escalot's body carried to Camelot on a supernatural funerary boat with a letter on her breast explaining how her unrequited love for Lancelot killed her?...
Some of medieval culture's most arresting images and stories inextricably associate love and death. Thus the troubadour Jaufre Rudel dies in the arms ...
