Calvin Bedient calls the poetry in this volume "solid and brave and relentlessly inventive." Forrest Gander says, "The obsessive force of this poetry, ruptured by caesura and stanza, is remarkable. Despite the considerable intellectual torque, the poems, concerned always with identity, the borders of the I and the Here, are quite funny in passages. The drama of this work is gripping, convulsive, and intense." Subject holds the mirror up to language, attempting to find out (and find ways out of ) the limits of the wor(l)ds we are sentenced to. The lyric impulse exists, but the...
Calvin Bedient calls the poetry in this volume "solid and brave and relentlessly inventive." Forrest Gander says, "The obsessive force of this poetry,...
This powerful collection of poems from Laura Mullen is the edgy, unashamedly experimental, and formally inventive book of a poet who has found her way to her own voice or style--or rather voices and styles, for there are several. The poems of "After I Was Dead" develop harmonically rather than melodically: they leap from one register, one voice, one tone to another in deft juxtapositions that carry narrative only incidentally, destabilizing traditional notions of development. These poems are honed by a fine intelligence into elegant, sometimes funny art, as in Autumn: Her hair, brown. / Her...
This powerful collection of poems from Laura Mullen is the edgy, unashamedly experimental, and formally inventive book of a poet who has found her way...