As John Cage once recalled, there were four musicians in the early 1950s who, because of their deep interest in art, associated closely with the New York School of painters: Edgard Varese, Stefan Wolpe, Morton Feldman, and Cage himself. This book explores the interaction and influences of the visual arts on these four seminal composers.
As John Cage once recalled, there were four musicians in the early 1950s who, because of their deep interest in art, associated closely with the New Y...
