With its beginnings rooted in the languages and cultures of the French and English, Canadian cinema has, over time, become more representative, reflecting the interests and aspirations of Canada's many diverse communities and identities. In One Hundred Years of Canadian Cinema, George Melnyk offers a twenty-first-century perspective on a fascinating film tradition, the distinctness of which has attracted the attention of the global cinematic community.
Melnyk's historical survey is comprehensive in its cinematic scope. He examines the achievement of dramatic, documentary, and...
With its beginnings rooted in the languages and cultures of the French and English, Canadian cinema has, over time, become more representative, ref...
With its beginnings rooted in the languages and cultures of the French and English, Canadian cinema has, over time, become more representative, reflecting the interests and aspirations of Canada's many diverse communities and identities. In One Hundred Years of Canadian Cinema, George Melnyk offers a twenty-first-century perspective on a fascinating film tradition, the distinctness of which has attracted the attention of the global cinematic community.
Melnyk's historical survey is comprehensive in its cinematic scope. He examines the achievement of dramatic, documentary, and...
With its beginnings rooted in the languages and cultures of the French and English, Canadian cinema has, over time, become more representative, ref...
As the first collection of literary criticism focusing on Alberta writers, Wild Words establishes a basis for identifying Alberta fiction, poetry, drama, and nonfiction as valid subjects of study in their own right.
The idea for this collection began with 100 years of literary tradition for Alberta's centenary. However, Alberta's literary roots go back much farther than that to the oration of First Nation's peoples and the colonizing exploration and travel literature of the 18th and 19th centuries.
As the first collection of literary criticism focusing on Alberta writers, Wild Words establishes a basis for identifying Alberta fiction, p...
This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Lea Pool, and Patricia Rozema, whose careers have produced major bodies of work. It also introduces critical studies of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and new media video artists.
Feminist scholars are re-examining the ways in which authorship, nationality, and gender...
This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Scree...
Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls "the nationalist-realist project," a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as...
Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness s...
Alberta writing has a long tradition. Beginning with the pictographs of Writing-on-Stone, followed by Euro-Canadian exploration texts, the post-treaty writing of the agrarian colonization period, and into the present era, Alberta writing has come to be seen as a distinct literature. In this volume Melnyk and Coates continue the project of scholarly analysis of Alberta literature that they began with Wild Words: Essays on Alberta Literature (2009). They argue that the essays in their new book confirm that Alberta's literary identity is historically contingent with a diverse, changing...
Alberta writing has a long tradition. Beginning with the pictographs of Writing-on-Stone, followed by Euro-Canadian exploration texts, the post-tre...