This volume offers a unique perspective on the discussion of weapons of mass destruction (WMD) by broadening the terms of the debate to include secular as well as religious investigations not normally considered. Its contributed essays feature a structured dialogue between representatives of the following ethical traditions-- Buddhism, Christianity, Confucianism, feminism, Hinduism, Islam, Judaism, liberalism, natural law, pacifism, and realism--who address identical moral issues in order to create a dialogue both within and across traditions.

This volume offers a unique perspective on the discussion of weapons of mass destruction (WMD) by broadening the terms of the debate to include secular as well as religious investigations not normally considered. Its contributed essays feature a structured dialogue between representatives of the following ethical traditions-- Buddhism, Christianity, Confucianism, feminism, Hinduism, Islam, Judaism, liberalism, natural law, pacifism, and realism--who address identical moral issues in order to create a dialogue both within and across traditions.

During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West.

Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political,...