This essay collection from renowned journalist and novelist Slavenka Drakulic, which quickly became a modern (and feminist) classic, draws back the Iron Curtain for a glimpse at the lives of Eastern European women under Communist regimes. Provocative, often witty, and always intensely personal, How We Survived Communism and Even Laughed cracks open a paradoxical world that through its rejection of capitalism and commoditization ends up fetishizing both.
Examining the relationship between material goods and expressions of happiness and individuality in a society where even...
This essay collection from renowned journalist and novelist Slavenka Drakulic, which quickly became a modern (and feminist) classic, draws back the...
Today in Eastern Europe the architectural work of revolution is complete: the old order has been replaced by various forms of free market economy and de jure democracy. But as Slavenka Drakulic observes, "in everyday life, the revolution consists much more of the small things of sounds, looks and images." In this brilliant work of political reportage, filtered through her own experience, we see that Europe remains a divided continent. In the place of the fallen Berlin Wall there is a chasm between East and West, consisting of the different way people continue to live and understand the world....
Today in Eastern Europe the architectural work of revolution is complete: the old order has been replaced by various forms of free market economy and ...
"S. may very well be one of the strongest books about war you will ever read. . . .The writing is taut, precise, and masterful."
Set in 1992, during the height of the Bosnian war, S. reveals one of the most horrifying aspects of any war: the rape and torture of civilian women by occupying forces. S. is the story of a Bosnian woman in exile who has just given birth to an unwanted child one without a country, a name, a father, or a language. Its birth only reminds her of an even more grueling experience: being repeatedly raped by Serbian soldiers in the "women's room" of a...
"S. may very well be one of the strongest books about war you will ever read. . . .The writing is taut, precise, and masterful."
A wry, cutting deconstruction of the Communist empire by one of Eastern Europe's exceptional authors. Called "a perceptive and amusing social critic, with a wonderful eye for detail" by The Washington Post, Slavenka Drakulic-a native of Croatia-has emerged as one of the most popular and respected critics of Communism to come out of the former Eastern Bloc. In A Guided Tour Through the Museum of Communism, she offers a eight-part exploration of Communism by way of an unusual cast of narrators, each from a different country, who reflect on the fall of Communism....
A wry, cutting deconstruction of the Communist empire by one of Eastern Europe's exceptional authors. Called "a perceptive and amusing so...
"Ein Roman, der weitererzählen will, wo das Erzählen anderer versagt." Der Tagesspiegel Die junge Lehrerin S. aus Bosnien bringt Anfang der neunziger Jahre in Schweden ein Kind zur Welt. Aber im Gegensatz zu den anderen Babys auf der Station hat dieses Neugeborene weder Sicherheit noch Heimat. Es hat keinen Namen und statt eines Vaters viele Väter: die gesichtslose Masse der Soldaten, die S. in einem serbischen Frauenkonzentrationslager immer wieder vergewaltigt haben. Im Wochenbett suchen sie die schrecklichen Ereignisse der letzten Monate heim. "Das Buch, das vom Inferno erzählt, lässt...
"Ein Roman, der weitererzählen will, wo das Erzählen anderer versagt." Der Tagesspiegel Die junge Lehrerin S. aus Bosnien bringt Anfang der neun...