Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Howard Smither's comprehensive four-volume work.
The first part of volume 2 examines in depth the antecedents and origins of the...
Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio of...
Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his "Geschichte des Oratoriums" in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term "oratorio" seems...
Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his "Geschichte des Oratoriums" in...