The deluge of metaphors triggered in 1981 in France by the first public reports of what would turn out to be the AIDS epidemic spread with far greater speed and efficiency than the virus itself. To understand why it took France so long to react to the AIDS crisis, this work analyzes the intersections of three discourses - the literary, the medical and the political - and traces the origin of French attitudes about AIDS to 19th century anxieties about nationhood, masculinity and sexuality.
The deluge of metaphors triggered in 1981 in France by the first public reports of what would turn out to be the AIDS epidemic spread with far greater...
The deluge of metaphors triggered in 1981 in France by the first public reports of what would turn out to be the AIDS epidemic spread with far greater speed and efficiency than the virus itself. To understand why it took France so long to react to the AIDS crisis, this work analyzes the intersections of three discourses - the literary, the medical and the political - and traces the origin of French attitudes about AIDS to 19th century anxieties about nationhood, masculinity and sexuality.
The deluge of metaphors triggered in 1981 in France by the first public reports of what would turn out to be the AIDS epidemic spread with far greater...
"It is a living museum of a long-gone Jewish life and, supposedly, a testimony to the success of the French model of social integration. It is a communal home where gay men and women are said to stand in defiance of the French model of social integration. It is a place of freedom and tolerance where people of color and lesbians nevertheless feel unwanted and where young Zionists from the suburbs gather every Sunday and sometimes harass Arabs. It is a hot topic in the press and on television. It is open to the world and open for business. It is a place to be seen and a place of...
"It is a living museum of a long-gone Jewish life and, supposedly, a testimony to the success of the French model of social integration. It is a co...
"Funny how a gay man's hand resting heavily on your shoulder used to say let's fuck but now means let's not. Funny how ostensible nearness really betrays distance sometimes." --from The Nearness of Others
In this radical, genre-bending narrative, David Caron tells the story of his 2006 HIV diagnosis and its aftermath. On one level, The Nearness of Others is a personal account of his struggle as a gay, HIV-positive man with the constant issue of if, how, and when to disclose his status. But searching for various forms of contact eventually leads to a profound...
"Funny how a gay man's hand resting heavily on your shoulder used to say let's fuck but now means let's not. Funny how ostensible nearness real...
"It is a living museum of a long-gone Jewish life and, supposedly, a testimony to the success of the French model of social integration. It is a communal home where gay men and women are said to stand in defiance of the French model of social integration. It is a place of freedom and tolerance where people of color and lesbians nevertheless feel unwanted and where young Zionists from the suburbs gather every Sunday and sometimes harass Arabs. It is a hot topic in the press and on television. It is open to the world and open for business. It is a place to be seen and a place of...
"It is a living museum of a long-gone Jewish life and, supposedly, a testimony to the success of the French model of social integration. It is a co...
