In this major work, Blumenberg takes issue with Karl Lowith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the world from outside. Instead, Blumenberg argues, the idea of progress always implies a process at work within history, operating through an internal logic that ultimately expresses human choices and is legitimized by human self-assertion, by man's responsibility for his own fate.
In this major work, Blumenberg takes issue with Karl Lowith's well-known thesis that the idea of progress is a secularized version of Christian esc...
In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and ValA(c)ry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus...
In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world....
"Paradigms for a Metaphorology may be read as a kind of beginner's guide to Blumenberg, a programmatic introduction to his vast and multifaceted oeuvre. Its brevity makes it an ideal point of entry for readers daunted by the sheer bulk of Blumenberg's later writings, or distracted by their profusion of historical detail. Paradigms expresses many of Blumenberg's key ideas with a directness, concision, and clarity he would rarely match elsewhere. What is more, because it served as a beginner s guide for its author as well, allowing him to undertake an initial survey of...
"Paradigms for a Metaphorology may be read as a kind of beginner's guide to Blumenberg, a programmatic introduction to his vast and multif...
In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne's Essais, Walter Benjamin's Denkbilder, or Adorno's Minima Moralia. Drawing upon an intellectual tradition that ranges from Aesop to Wittgenstein and from medieval theology to astrophysics, he works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues--metaphors, gestures, anecdotes--essential to grasping human finitude. Images of shipwrecks, attempts at ordering the world, and...
In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne...
In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne's Essais, Walter Benjamin's Denkbilder, or Adorno's Minima Moralia. Drawing upon an intellectual tradition that ranges from Aesop to Wittgenstein and from medieval theology to astrophysics, he works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues--metaphors, gestures, anecdotes--essential to grasping human finitude. Images of shipwrecks, attempts at ordering the world, and...
In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne...
Hans Blumenbergs Buch Schiffbruch mit Zuschauer endet mit einem Text, der den etwas enigmatischen Titel "Ausblick auf eine Theorie der Unbegrifflichkeit" trägt. Zu Lebzeiten blieb es bei diesem Ausblick auf eine Theorie, die den Grundbedingungen der Theorie nämlich begrifflich verfaßt zu sein zu widersprechen schien und somit vielerlei Rätsel aufgab. Zu den wunderbaren Entdeckungen, die im Nachlaß Hans Blumenbergs zu machen sind, gehört nicht nur eine Mappe mit kleinen Entwürfen, sondern auch ein längeres Manuskript, das den "Ausblick" bis zu einer ausgewachsenen "Theorie der...
Hans Blumenbergs Buch Schiffbruch mit Zuschauer endet mit einem Text, der den etwas enigmatischen Titel "Ausblick auf eine Theorie der Unbegrifflichke...
Zu den Sachen! Das war die Devise und das Programm der von Edmund Husserl begrndeten Phnomenologie. Die Art, wie Hans Blumenberg an sie anknpft, wird bereits im Titel seines Buches deutlich genug. Neben und nach der Unmittelbarkeit der Anschauung mu auch die Distanz zu ihrem Recht kommen: der Begriff, das Symbol, die Metapher, alle Formen der Indirektheit und der Delegation. Zu den Themen Blumenbergs, die sich daraus ergeben, gehrt das Verhltnis von Tastsinn und Sehsinn, von Aufmerksamkeit und Aufflligkeit, von Reflexion und Reduktion, von Retention und Erinnerung, von Subjektivitt und...
Zu den Sachen! Das war die Devise und das Programm der von Edmund Husserl begrndeten Phnomenologie. Die Art, wie Hans Blumenberg an sie anknpft, wird ...