The pantheon of renowned melancholics from Shakespeare's Hamlet to Walter Benjamin includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature."
The pantheon of renowned melancholics from Shakespeare's Hamlet to Walter Benjamin includes no women, an absence that in Juliana Schiesari's view poin...
The question of what it means to be human has preoccupied thinkers since antiquity. The classical humanism of the Italian Renaissance saw humanity as hierarchical, with elite European males at the apex while women, lower class or foreign men, and animals occupied varying lesser degrees of being. Using the theme of domestication to interrogate the intertwined notions of femininity, sexuality, and animality, Juliana Schiesari looks to early modern Italy to uncover the origins of the modern conception of the human.
Beasts and Beauties examines the relationship between...
The question of what it means to be human has preoccupied thinkers since antiquity. The classical humanism of the Italian Renaissance saw humanity ...