That this book is a history o a shadow that is a shadow o Me mystically one in anothe another another to subserve.

For more than thirty-five years, James Welling has explored the material and conceptual possibilities of photography. Diary/Landscape--the first mature body of work by this important contemporary artist--set the framework for his subsequent investigations of abstraction and his fascination with nineteenth- and twentieth-century New England.

In July 1977, Welling began photographing a two-volume travel diary kept by his great-grandmother Elizabeth C. Dixon, as well as landscapes in southern Connecticut. In one closely cropped image, lines of tight cursive share the page with a...